Sep. 7th, 2017 11:50 pm
dhampyresa: Paris coat of arms: Gules, on waves of the sea in base a ship in full sail Argent, a chief Azure semé-de-lys Or (fluctuat nec mergitur)
Given that the Kaamelott movie(s) are happening supposedly sometime soon, I decided I was going to rewatch the whole series. That turned out to be more of a watch than a rewatch, because while I'd seen some of the first four seasons I had seen pretty much nothing of the last two.

So. Kaamelott is a French TV show that's a retelling of the Arthurian legend, in which dealing with the Knights of the Round Table is worse than herding cats. It starts as comedy 3m30 shorts and turns into a 45m episodes drama for s5 and s6. It's got six seasons, it ends in an awful cliffhanger (Arthur's destitute and suicidal in Rome, Lancelot is ruling the kingdom and burning the Round Table) and has been left on this cliffhanger since 2009. Mind you, that's still a better cliffhanger to leave things on than the one at the end of s5.

Plot summary by season )

It's not a perfect show and sometimes it is very much of its time, but it's frequently hilarious, Arthur is the most relatable of the Arthurs and the cinematography is always gorgeous. Also, you can see both the budget increases and where the money went from season to season.

In case you were wondering, yes, there are times where I went "THAT'S NOT HOW ARTHURIANA WORKS", but for the most part it's cool.

The show feels a lot like some guy got his friends and family together to work on his passion project and somehow they landed both a budget and national airtime (on M6 -- this show lead to so many French memes, you guys. SO MANY), probably because it kind of is. The guy who plays Arthur is also the scenarist, the producer, the video editor, the composer and the interpreter for the music. He may also have other roles, idk. When did he sleep. (He is also related to a not inconsequential chunk of the cast.)

It is sometimes very very French.

I like a lot of the humour of the first seasons. My favourite running gag is probably nobody being able to see the Lady of the Lake but Arthur, leading to a lot of confusion when he's talking to her while other people are also there. It's not humourous, but I'm really fond of Guenièvre being friends with Arthur's mistresses (Guenièvre/Demetra OTP, tbh).

I really like how the later seasons and the first ones too, but to a lesser extent, deal with themes of power and kingship. What makes a great king/leader is that "Ils ne se battent que pour la dignité des faibles." (They fight only for the dignity of the weak.) which yeah. Okay.

There are a lot of really fun episodes -- including one where Perceval goes through a dimension door to Tatooine and steals Luke's ROTJ lightsaber (Arthur makes him put it back) -- but my favourite is the one where they get super excited at the idea of killing a Roman, because the Romans are supposedly federating them, but it's cool if they tell Rome it wasn't them. (This turns out to be Arthur's buddy Caius.)
dhampyresa: (Default)
I have a ginormous backlog of stuff I read and didn't talk about, to the point where I've kind of stopped tracking what I'm reading. THIS ENDS NOW. I'm going to try to get through as many of these as I can.

Plogoff, by Delphine Le Lay (scenario) and Alexis Horellou (art): This a BD about the events of the Affaire de Plogoff aka that time the French government wanted to put a nuclear powerplant in Brittany SO BADLY that they sent fucking tanks and paratroopers against the local population. The comic is quite welldoen and approved by the people who made this primary source documentary.

Star Wars Princess Leia, by Mark Waid (scenario) and Terry Dodson (art): In which leia goes on a roadtrip immediately post A New Hope to gather Alderaanian expats, who are the only survivors of Alderaan. She's aided in her quest by Evaan Verlaine, an Alderaanian pilot. I enjoyed seeing the two of them grow closer. (I ship it.) Also, it's pretty cool that pertty much everyone's a woman, even though, well, Terry Dodson gonna Terry Dodson. Leia's figure does not look like that.

DC Comics Bomshells 1-36 (Year One), by Marguerite Bennett (scenario) and Marguerite Sauvage (+ various) (art): DO YOU WANT TO SEE BATWOMAN FIGHT NAZIS? This is a self-contained continuity set during WW2 where all the superheroes are women (not genderbent versions of male heroes, AU versions of DC canonically female heroes). It updates (backdates?) and modifies their backstory as needed, but always interesting way. I really like that they made Stargirl and Supergil (adopted) sisters, for example. French Resistance fighter Poison Ivy is AMAZING (and her and Harley fall in love <3). I enjoy it greatly.

Here's a list of stuff I have also read. I'll go down the list, unless someone wants me to talk about anything specific.

Other stuff wot I read )

dhampyresa: Paris coat of arms: Gules, on waves of the sea in base a ship in full sail Argent, a chief Azure semé-de-lys Or (fluctuat nec mergitur)
I went to the "Hommage national à Simone Veil" (National hommage to Simone Veil) at the Invalides this morning.

Got there early, made it into the yard of the Invalides and spent probably far too long in the sun for someone wearing all black -- at least I didn't straight up collapse, like one of the men of the Garde républicaine did. Several other people also felt faint had to be evacuated. I can speak for them, but to me it was worth it and would still have been worth it if I'd collapsed.

I started crying when Macron said she'd get into the Panthéon -- I can't think of anyone who deserves it more, tbh -- when I had been bravely holding back tears previously. I'm tearing up again.

I'm so glad I went and I'm so glad she's getting into the Panthéon.

dhampyresa: (Sad Cassie is sad)
Simone Veil died this morning. She was one of my heroes, growing up. Still was.

She was the main force behind the legalisation of abortion in France, a Holocaust survivor, the first female President of the European Parliament, among other things.

I hope she gets into the Panthéon -- "aux grands hommes grandes femmes la patrie reconnaissante" and yes we are so very very grateful. I'll try to go to the funeral on Wednesday.

dhampyresa: (Sarcasm shall be the way)
As any English-French dictionnary will tell you, the French word for "fox" is "renard".

It's not that this is wrong -- certainly, if you speak about "un renard" to a French person, they will know you're speaking of a fox -- but it's that it's not entirely true, either. It also omits my favourite part of the tale.

The word for "fox" in French is in fact "goupil".

Back in the Middle Ages (12th-13th century), there began to be written, collected and/or redistributed a set of folk tales involving animals. These animals are anthropomorphised and have names: the cat Tibert, Chanteclerc the rooster, Tiécelin the raven, Ysengrin the wolf, Hermeline the vixen and, most famous of all and the one who gave his name to the collection of these tales, Renart the fox.

Le Roman de Renart is a really fun collection of tales about Renart, trickster extraordinaire.

Renart goes by many variations on his name: Reynhard, Renard, Raynard, Regnard, Reinhart... He tricks the wolf out of hams. He becomes godfather to a bird's children. He's funny, he's charming, he's a rogue -- he's Robin Hood!

But by far the greatest trick Renart ever pulled was convincing the French that there are no foxes but him -- or perhaps, that he is all the foxes and all the foxes are he.

A voté!

May. 7th, 2017 08:38 pm
dhampyresa: Paris coat of arms: Gules, on waves of the sea in base a ship in full sail Argent, a chief Azure semé-de-lys Or (fluctuat nec mergitur)
Woke up this morning to vote at the opening, cast my three votes (I had two proxies) and went back home to go back to sleep.

I have never before burst into tears out of sheer fucking relief -- but now I have. WE DIDN'T ELECT A FASCIST!


May. 1st, 2017 11:17 pm
dhampyresa: Paris coat of arms: Gules, on waves of the sea in base a ship in full sail Argent, a chief Azure semé-de-lys Or (fluctuat nec mergitur)
Lily of the valley May 1 2017

Here you go, folks!

I know I said I was taking a break from the internet, but I'm not going to break tradition, so have some muguet as a porte-bonheur/happiness-charm. *disappears again*
dhampyresa: (Sarcasm shall be the way)
1. Swimming )

2. I've been trying to memorise the lyrics to Georges Brassens' Supplique pour être enterré à la plage de Sète. So far I've managed the first five stanzas (lyrics at the link).

Vid )

3. With help from [personal profile] sineala , why I dislike Bendis:

Typical Bendis dialogue )

dhampyresa: Paris coat of arms: Gules, on waves of the sea in base a ship in full sail Argent, a chief Azure semé-de-lys Or (fluctuat nec mergitur)
Les Franglaises

They translate famous English songs into French literally and it's fucking hilarious. There's more going on, because there's a narrative in between the songs.

Also, I appreciate how LGBT friendly it is (they do Blur's "Boys and Girls" for example) and that one time one of the guys takes "You can leave your hat on" as a list of instructions.

It's also really affecting somehow? Like, their rendition of "The show must go on"* is really powerful for me. (At around 57 minutes in.)

Full disclosure: I saw the comeback Le Viens-retour live and while that one was better, they're broadly similar. Some of the songs are here/not here and stuff was re-arranged. I think the cast is different too. (Favourite missing bit: the translation of Edith Piaf's "Jene regrette rien" into English as "I don't regret nothing. Oh, and the stage being on fire. Well. More on fire.)

Favourite parts are Claire and Sylvain's rivalry thing they've got going (especially the western showdown starting at 1h18 and especially the bit of that set to "Gimme a man after midnight") and "Hôtel Californie" (1h29).

dhampyresa: Paris coat of arms: Gules, on waves of the sea in base a ship in full sail Argent, a chief Azure semé-de-lys Or (fluctuat nec mergitur)
Gather round. It's time for me to go tl;dr about the Paris Commune.

A lot has been made of the Paris Commune, for various reasons -- mostly because it's where Marx derived the term "communism" from -- and it's been romanticised a lot. I'll say upfront that I'm not exempt from said romanticisation, but I'll try to be as objective as possible (keyword being "try"). I don't doubt there's much better historical scholarship on the Commune than what I'm about to write, but I've got a book of collected and contextualised first-hand accounts ("La Commune de Paris racontée par les Parisiens") next to me and I'm ready to roll.

So let's roll! )

No lie, "The Paris Commune survives somehow" is right up there with "Carthage wins the Punic Wars" as far as my favourite alternate history scenario go.

* Louise Michel's really rad. She asked to be shot along with the rest of the Communards -- "Puisqu'il semble que tout cœur qui bat pour la liberté n'a droit aujourd'hui qu'à un peu de plomb, j'en réclame ma part" ("Since it seems every heart that fights for liberty is today given only lead, I demand my share") -- was deported to New Caledonia, sides with the Kanaks against the French government, returns to Paris accalimed by the crowd (shouting "Vive la Commune!" and "Down with the assassins!") and becomes an anarchist. She never stopped fighting. Podcast on Louise Michel (in French).

(I'm also really fond of La danse des bombes, a song based on a poem by Louise Michel.)

dhampyresa: Paris coat of arms: Gules, on waves of the sea in base a ship in full sail Argent, a chief Azure semé-de-lys Or (fluctuat nec mergitur)
Listen, it's la Chandeleur so do yourself a favour, give in to (French) tradition and eat a crêpe. Or more than one. OMNOMNOM CRÊPES
dhampyresa: Paris coat of arms: Gules, on waves of the sea in base a ship in full sail Argent, a chief Azure semé-de-lys Or (fluctuat nec mergitur)

A YEAR OF MARVELS: JULY INFINITE COMIC (2016) #1, by Chuck Wendig (scenario) and Juanan Ramirez (art): This is SUPER CUTE. Mind you, I read it when it came out, so I might be forgetting stuff, but I am so there for Bucky + kids.

Star Wars: Shattered Empire, by Greg Rucka (scenario) and Marco Checchetto (art): This was enjoyable, if a bit disjointed. I enjoyed seeing Leia kicking ass on Naboo and the art is great. Shara Bey is amazing.


One of the books I'm currently reading just said:
On a chanté sans fin les cloches d'Is. Il n'est poète breton qui ne les ait entendues

"The bells of [Ys] have been endlessly sung. There is no Breton poet who has not heard them."



Jan. 22nd, 2017 10:01 pm
dhampyresa: (Default)
I took my mom to see Ballerina this afternoon. I enjoyed it greatly! It gives great Paris and Félicie is adorable.

I saw it in VF (French ub), because I was under the impression this was the original version. It is not, which actually made me feel better about some nitpicky stuff.

Nitpicks )

The animation was SUPER PRETTY. The Paris scenery is really well done -- the Opéra Garnier looks great and true to life. The dancing is awesome as well. Honestly, the entire movie could have been Félicie dancing on Parisian roofs and I would have loved it.

Hell, it could have been Félicie dancing on all sorts of roofs and I'd have loved it.

I really appreciated that it was 100% Félicie's story and that Victor was basically there for moral support (he has a crush on her, but there's nothing explicit/requited on her part -- tbh, by the end of the movie I shipped her with Camille). Félicie is 1000000% here for ballet and nothing else.

I also appreciated that it showed just how much fucking hard work ballet is.

The plot was mostly predictable/what I thought it'd be, but it did take a few unexpected detours to get there.

I loved the mentor and mentee relationship between Odette and Félicie. Félicie has SO MUCH MERIT practicing ballet in leather shoes (I'm pretty sure they were hobnailed, too).

My absolute favourite part is the Félicie/Camille ballet battle -- it's a dance battle WITH BALLET. (Special shoutout to [personal profile] escritoireazul , the first part of said ballet battle is set to Demi Lovato's Confident.)

Overall, definitely reccomended.
dhampyresa: Paris coat of arms: Gules, on waves of the sea in base a ship in full sail Argent, a chief Azure semé-de-lys Or (fluctuat nec mergitur)
I'm having a friend over from abroad for the next couple of days. (I already gave the "native Parisian tourguide" routine, so I'll have to find something else.)

So if I'm not around, that would be why.
dhampyresa: Paris coat of arms: Gules, on waves of the sea in base a ship in full sail Argent, a chief Azure semé-de-lys Or (fluctuat nec mergitur)
Je suis le capitaine Henri Villon et je mourrai bientôt.

Non, ne ricanez pas en lisant cette sentencieuse présentation. N’est-ce pas l’ultime privilège d’un condamné d’annoncer son trépas comme il l’entend ? C’est mon droit. Et si vous ne me l’accordez pas, alors disons que je le prends.

I am captain Henri Villon and I will die soon.

No, don't smirk when reading that pretentious opening. Isn't it the last priviledge of the condemned to proclaim their death however they wish? It is my right. And if you don't grant it to me, then let us say I'm taking it.

That's how the story starts. Or ends, rather.

Le Déchronologue is the story of Henri Villon, a pirate captain in the Carabbeans of the 17th century. The story is told in non-linear order, jumping from 1653 when those first lines in the prologue are penned to 1640 when the first chapter starts. From Villon on his futuristic timeship being blown up to Villon as pirate captain investigating maravillias is quite a jump, but it's not the story's greatest jump.

Every chapter begins by telling you when and where it's set, for example "Archipel inexploré de la Baja Mar (CIRCA 1652)" ('Unexplored archipelago of the Baja Mar (circa 1652)') a chapter which immediately follows "Désert du Yucatan (FIN DU TEMPS CONNU)" ('Yucatan Desert (END OF KNOWN TIME)').

That's right. We're travelling to THE END OF TIME. #YOLO

So that's the structure of the book. A book that jumps around in time, because it's a book about timetravellers fucking with the timeline and the tenacious pirate captain who decides to fuck back.

The entire book (excepting epilogue) is told via Villon's journal of the last 13 or so years of his life, written on the eve of the last battle (where he gets blown up in the prologue). Villon is uncompromising with his faults (or other people's), a right bastard at times, an honourable man more often, utterly devoted to his quest for knowledge about what the maravillias are and what they can do, moody, tenacious, with a sharp wit and sense of irony, stingy on backstory and, very importantly, a survivor of the Siege of La Rochelle.

Villon's not just French, he's a Protestant Huguenot -- you can imagine how much that endears him to the Catholic Spaniards chasing him.

That Villon is a survivor of the Siege of La Rochelle is one of the first thing we learn about him and it informs SIGNIFICANT parts of his characters. It may not look like it at first, but Villon is deeply self-hating, bordering at times on nihilism, and has massive issues regarding women and children. In fact, his very drive to figure out the maravilias is born of what he did/was complicit in the Siege of La Rochelle.

If you don't know what happened at the Siege of La Rochelle -- or you're like me and you learned about it in school and later you forgot -- it's eventually revealed in text what happened. It comes in the book after several ominous references to it -- Villon at one point has a very bad acid rip and hallucinates the screams of the children, that sort of thing -- and in the specific scene after he's been pushed about on both the fact that he's a Huguenot and that he researches the maravilias. This is what he has to say about it:

— Moi j’y étais, au siège de La Rochelle, au nom de la Réforme et de la foi. Et je fus de ceux qui en chassèrent les plus faibles quand la famine fut sur nous, pour gagner encore un peu de temps et préserver les assiégés en état de combattre. Je les ai vus et entendus, ces malheureux, bannis sur nos ordres, errer et agoniser chaque jour un peu plus, piégés entre nos murs et les rangs de l’armée de monsieur de Richelieu qui avait refusé de les laisser passer. Et si c’est diablerie que de promouvoir des moyens de conserver boissons et aliments des années durant sans risquer de les voir se gâter, si c’est diablerie de produire de la lumière sans flamme, de soigner l’incurable et de s’efforcer de sauver son prochain, alors Satan est mon maître et je suis son serviteur, et je compisse vos gueules de rats putrides !

"I was there, me, at the siege of La Rochelle, in the name of faith and the Reformation. And I was one of those who drove out the weakest when famine was upon us, to win a little more time and keep the assieged able to fight. I saw and I heard them, those poor souls, banished on our orders, wander and die slowly every day a little more, trapped between our walls and the ranks of Richelieu's army who refused to let them through. And if it is the devil's work to promote ways to keep drink and food for years without risking that they'll rot, if it is the devil's work to produce light without flame, to heal the incurable and try to save your neighbour, then Satan is my master and I am his servant, and I piss on your stinky rat faces!

Like, wow, okay, Villon. OKAY. I understand perfectly, but at the same time, it is hilariously enough not the only time in the book where Villon calls himself Satan's servant/footman.

So that's Villon.

The book is populated with a very varied cast, from the nigh incomprehensible Féfé de Dieppe to the Baptist, who ends literally able to walk through time. Also Brieuc. I really like Brieuc, who is probably the kindest person in the entire book -- something Villon really admires (I ship them) -- and dies for his trouble. The most prominent of the secondary characters, however, are Sévère, Mendoza and Arcadio, all of whom are both interesting in their own right and have fascinating relationships to Villon.

Sévère is not her real name. She's a timetraveller who is no longer allowed to timetravel and so has to rely on Villon. Well. She doesn't HAVE to, but she does. Villon is madly in love with her, something he realises is a great weakness -- but he saved her and as I've said above, he has massive issues about not being able to sav women -- and it's something she finds... useful, I guess. She doesn't dislike him and she's not just using him, but she is using him and they both know it. She likes him, even, by her own admission but "not like that" and Villon respects that. He can't stop himself from hoping she'll love him back, but he respects that she doesn't.

Mendoza is a Spanish corsair. You can imagine how he (Catholic, Spanish, corsairr) feels towards Villon (Protestant, French, pirate) when they first meet. It does not go well! Mendoza basically tortures him and they remain hilariously polite towards each other. The next time they meet, Mendoza helps Villon escape from jail, sort of. Then Mendoza tries to go back to Spain CROSSES HIS OWN TIMESTREAM somehow survives with his sanity sort of intact and becomes Villon second-in-command as well as the owner of the journals we're reading. (I ship it.)

Arcadio is Villon's one-time cellmate who forms an unlikely friendship with him. The most important thing about Arcadio, though, is that he's a Maya. Specifically, he's an Itza from Noj Peten. As such he has a bone to pick with the Spanish Empire and the Itza having been granted, via the vagaries of timetravel bullshit affecting the world in the story, the means to fight back against the Spanish, they fight back. They fight back with gusto, because the Spanish Empire might be the Spanish Empire, but it doesn't hold a candle to machine guns and time cannons or even something as simple as easy long-distance communications via radios. The Itza are presented as entirely justified in wanting revenge from the Spanish -- by no means are Spanish atrocities glossed over, from the first chapter we are introduced to the idea that the Spanish have resorted to human experimentation to figure out the maravilias, including deliberately exposing captives to malaria -- but as time goes on Villon starts to see that the religious zeal of the Itza reminds him far too much of La Rochelle.

There is one more thing to talk about and it's THE FLYING DUTCHMAN. Spoilers, it's not actually the Flying Dutchman, it's actually AN AIRCRAFT CARRIER. Specifically, the USS George Washington.

Because see, while all the radios and boxes of quinine and machine guns and mp3 players and history books (lol forever at Villon's reaction to learning about Mary Read and Anne Bonny) and cheap IKEA furniture is being thrown back to the 17th century for anyone to grab, sell and use, so has a mysterious vessel that pirates and corsairs of the time alike decide to call the Flying Dutchman, because it is unlike anything they have ever seen both in firepower and mode of propulsion.

In the climax/end of the book, Villon and what's left of the all the fleets, pirate or not, of the time (plus some timetravelling pirates, like François le Clerc and SIR FRANCIS DRAKE, not even kidding), all go up against the Flying Dutchman. They have a plan. It's a great plan! But in the end they're 17th and 16th century pirates and they're going up against a fucking nuclear powered aircraft carrier.

They die. They all die. Including Villon, who told us so right there at the beginning and Sévère who dies in his arms before the ship gets blown up.


But Villon's ship isn't just a 17th century pirate ship, is it? It's Le Déchronologue, which has been equiped with time cannons by one of the various parties of time travellers fucking with the time stream. And so in the end, in what is for me one of the most striking images in the book, a flurry of time displaced Déchronologues appear and then disappear through a tear in time, taking the Flying Dutchman with them.

We're told of this by Mendoza, who had been told to stay behind. Having met the Americanos during their short-lived alliance with the Spanish, it was decided he'd be best able to save the city if all else failed.

I won't say I'm not sad Villon died, because I am, but I was a fitting end and could have ended no other way. He tried so hard to convince everyone, even himself, that he wasn't a hero, but he was, in the end. And he was never going to let an injustice stand or let predetermination win out over free will.

(And now I shall go re-read the book in chronological order.)

dhampyresa: Paris coat of arms: Gules, on waves of the sea in base a ship in full sail Argent, a chief Azure semé-de-lys Or (fluctuat nec mergitur)
But not actually flooded yet.

I had to take a detour, so took a slightly longer one so I could take some pictures of the water level at Pont de Bir Hakeim (the bridge from Inception).

Go look at Le Zouave du Pont de l'Alma on Twitter (https://twitter.com/zouavealma) for more pictures and some lols.
dhampyresa: (Default)
Today I did something very likely ill-advised (*Imperial March plays softly in the background*) and while waiting for the fall out, I decided to do some costuming analysis!

Otakar Lebeda's "Killed by Lightning"
Otakar Lebeda's "Killed by Lightning"

I am fairly sure the costumes from the first painting are from Brittany.

Give me a moment, I can probably tell you where in Brittany.

So the men are wearing Glazik (you can tell this easily, because it literally means “little blue” in Breton) and the woman red. Both of these are specific shades of blue and red and their use in costume has a specific spread in Brittany. (See Pays Glazik.)

You can’t see the woman’s coiffe very well, but you can see the man’s hat and both of those do fit with the costumes from the Quimper region.
For example, here are dancers from Eostiged ar Stangala (Kerfeunten) at the 2014 Cornouailles Festival in Quimper.

Eostiged ar Stangala
Eostiged ar Stangala

Keeping in mind that the painting shows everyday clothes while present day breton clothing is festive/best clothing and that there’s over a century between the two, I’d say I’m pretty close.

The men in the painting are wearing bragou braz, by the way. You can see them in the 1891 “Pardon de Kergoat” painting below, which is roughly the same time period as the Lebeda painting.

Pardon de Kergoat
Pardon de Kergoat

(I own Yann Guesdon's Costumes de Bretagne which is entirely about folk costumes of Brittany. I haven't had time to read it entirely yet, but it's amazing.)

Breton costumes are very distinctive of the region they come from, because they're very varied. Right next door to the Pays Glazik, you have the Pays Bigouden for example and their costumes look like this:

Bigouden costume

dhampyresa: (Default)
There's an Indochine concert on TV right now (D17) and I'm suddenly reminded of how much this group means to me.

Troisième Sexe was a fucking revelation, for more than one reason, but especially for Une fille au masculin / Un garçon au féminin. I don't think I've ever seen the lead singer wear anything other than black; you wouldn't think that would matter, but it does..

Just this concert a song was introduced as "for all the girls who like girls and the boys who like boys and the girls who like boys and the boys who like girls". They keep thanking the public. They have a sense of humour (see the whole Indochine and Les Inconnus parodying the parody thing.)

And of course they finished on L'Aventurier! Which they hadn't played yet and I was worried I'd missed (didn't see the first hour or so). There is an least one entire generation of French people who know Bob Morane only through this song.

As far as having musical bands that mean a lot to me go, I could be doing a hell of a lot worse.

Here, have some more songs (and some really weird music videos I had never seen before). Trois nuits par semaines. Canary Bay. Salombo (and I'm not just saying this because it's the name of Hannibal Barca's older sister in that one Flaubert novel and so raises some super interesting questions). J'ai demandé à la lune. Tes yeux noirs (they did a whole concert with the Hanoi orchestra, it's great; I honestly can't pick between both versions of J'ai demandé à la lune).

(I suspect going to a live concert might not be feasible, but I really want to now.)

Concerning Doctor Who s9e11, Heaven Sent ).

Concerning The Librarians s1e6 and s2e4, the Apple of Discord and the Cost of Education ).

Concerning Hamilton, Act 1 ).

Concerning Fred Vargas, the French Wikipedia synopsis for L'armée furieuse ended up BLOWING MY TINY MIND when I followed the "Grande Chasse" link. It turns out that what I know as "La chasse du roi Arthur" (King Arthur's hunt) or "l'Ankou et sa charette" (the Ankou and his... cart? wheelbarrow?) depending on whether the wind blows in from inland or from the sea, is actually THE EXACT SAME THING as "The Wild Hunt". WHAT THE FUCK YOU GUYS WHAT THE FUCK.

Concerning this entry, I don't think any of those are terribly spoilery, except the Librarians one.


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